The Tattoosday Book Review - Science Ink

If you’re still recovering from a day of camping out and fighting the crowds for Black Friday holiday gifts, might I suggest one more item for your list?

Science Ink: Tattoos of the Science Obsessed was recently published by Sterling Press and it rates as one of the finer titles on tattoos that I have seen in while. Science Ink is written by Carl Zimmer, a science writer with great credentials and whose blog rates a spot on my blogroll shortlist.

I have been a fan of Carl Zimmer’s Science Tattoo Emporium since 2008, even warranting a mention in a stand-alone post here.

I was excited to hear last year that he was compiling a book on the subject of scientific tattoos, as, unlike a lot of the work in London Tattoos (my last review, which appeared here), the ink is drenched in meaning.

As a storyteller and a writer, I’ll admit to favoring tattoos that have stories and/or specific meaning behind them. Not that I don’t appreciate a fine work of  body art that is beautiful for beauty’s sake. I just find myself more intellectually stimulated by tattoos that pack a narrative punch. This is also why I dig literary tattoos.

All that being said, Zimmer should be commended for compiling a whole slew of scientific ink, and organizing it in such a thoughtful and pleasing way. Chapters are divided up by category (Physics, Chemistry, Astronomy, Earth Sciences, etc.) with photos of the contributors work, along with a paragraph or two devoted to explaining the accompanying pieces. These are not tattoos that resulted from walking in to a shop and picking flash off the wall. Not that there’s anything wrong with that. Rather, we’re treated to tattoos that were clearly thought out and executed with the purpose of connecting to the individuals passion for their intellectual stimuli.


Tattoo purists may look at this book and cringe at the quality of some of the tattoos depicted. But the quality is not the point, and there is a lot of fine work, nonetheless. With a few exceptions, we are not seeing work contributed by tattoo aficionados. Instead, we get a glimpse of tattoos from people that you don’t normally associate with ink: scientists, doctors, university professors, and anthropologists. For that reason, Science Ink succeeds in drawing in the reader to the individual narrative behind the tattoo. What makes someone who is uninked take the leap and go under the needle?

Ultimately, it is the answer to that question that propels the mini-narratives forward and make Science Ink such a compelling read. Above and beyond the appreciation of tattoos, the book speaks to a larger audience, those who are steeped in the sciences and those who don’t consider themselves part of a “tattoo culture”. Ultimately, not everyone who is science-minded gets a tattoo related to their field, but a mathematician may understand someone’s desire to get an interesting equation inked on their forearm more than they would, say, getting a flaming skull or a scattering of cherry blossoms.

The biggest fault I find with Science Ink is not an original one. Marisa over at Needles and Sins voiced the disappointment in her review, as well, that the artists who created the body art are rarely named by the contributors. I always ask Tattoosday contributors to disclose their artists’ names to give credit where credit is due. Occasionally I  meet people who do not recall the names of their artists, but that tends to be a smaller percentage. Zimmer includes a thumbnail “visual index” of contributors. It would be nice, if there is ever a Science Ink II, to include an index of artists, as well. As a saving grace, Zimmer does credit the artists on his website here, but I only discovered that by accident.** I’d imagine, however, that to the bulk of the reading audience, the tattooist’s identity  is not as important and may seem extraneous, but for many it is nice to see credit where credit is due.

All in all, however, Zimmer hits the ball out of the park with a wonderful tattoo-themed product that I fully endorse and recommend.

With the holidays just around the corner, this would make a great gift for the science obsessed person in your life!

**After this posted, Carl Zimmer e-mailed me:

"Thanks! I agree that the artists should get credit. My designer and I put together a list, but a change in schedule prevented the publisher from putting it into the book. We'll be sure to get it into the next printing".

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I can contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

The Tattoosday Book Review - Science Ink

If you’re still recovering from a day of camping out and fighting the crowds for Black Friday holiday gifts, might I suggest one more item for your list?

Science Ink: Tattoos of the Science Obsessed was recently published by Sterling Press and it rates as one of the finer titles on tattoos that I have seen in while. Science Ink is written by Carl Zimmer, a science writer with great credentials and whose blog rates a spot on my blogroll shortlist.

I have been a fan of Carl Zimmer’s Science Tattoo Emporium since 2008, even warranting a mention in a stand-alone post here.

I was excited to hear last year that he was compiling a book on the subject of scientific tattoos, as, unlike a lot of the work in London Tattoos (my last review, which appeared here), the ink is drenched in meaning.

As a storyteller and a writer, I’ll admit to favoring tattoos that have stories and/or specific meaning behind them. Not that I don’t appreciate a fine work of  body art that is beautiful for beauty’s sake. I just find myself more intellectually stimulated by tattoos that pack a narrative punch. This is also why I dig literary tattoos.

All that being said, Zimmer should be commended for compiling a whole slew of scientific ink, and organizing it in such a thoughtful and pleasing way. Chapters are divided up by category (Physics, Chemistry, Astronomy, Earth Sciences, etc.) with photos of the contributors work, along with a paragraph or two devoted to explaining the accompanying pieces. These are not tattoos that resulted from walking in to a shop and picking flash off the wall. Not that there’s anything wrong with that. Rather, we’re treated to tattoos that were clearly thought out and executed with the purpose of connecting to the individuals passion for their intellectual stimuli.


Tattoo purists may look at this book and cringe at the quality of some of the tattoos depicted. But the quality is not the point, and there is a lot of fine work, nonetheless. With a few exceptions, we are not seeing work contributed by tattoo aficionados. Instead, we get a glimpse of tattoos from people that you don’t normally associate with ink: scientists, doctors, university professors, and anthropologists. For that reason, Science Ink succeeds in drawing in the reader to the individual narrative behind the tattoo. What makes someone who is uninked take the leap and go under the needle?

Ultimately, it is the answer to that question that propels the mini-narratives forward and make Science Ink such a compelling read. Above and beyond the appreciation of tattoos, the book speaks to a larger audience, those who are steeped in the sciences and those who don’t consider themselves part of a “tattoo culture”. Ultimately, not everyone who is science-minded gets a tattoo related to their field, but a mathematician may understand someone’s desire to get an interesting equation inked on their forearm more than they would, say, getting a flaming skull or a scattering of cherry blossoms.

The biggest fault I find with Science Ink is not an original one. Marisa over at Needles and Sins voiced the disappointment in her review, as well, that the artists who created the body art are rarely named by the contributors. I always ask Tattoosday contributors to disclose their artists’ names to give credit where credit is due. Occasionally I  meet people who do not recall the names of their artists, but that tends to be a smaller percentage. Zimmer includes a thumbnail “visual index” of contributors. It would be nice, if there is ever a Science Ink II, to include an index of artists, as well. As a saving grace, Zimmer does credit the artists on his website here, but I only discovered that by accident.** I’d imagine, however, that to the bulk of the reading audience, the tattooist’s identity  is not as important and may seem extraneous, but for many it is nice to see credit where credit is due.

All in all, however, Zimmer hits the ball out of the park with a wonderful tattoo-themed product that I fully endorse and recommend.

With the holidays just around the corner, this would make a great gift for the science obsessed person in your life!

**After this posted, Carl Zimmer e-mailed me:

"Thanks! I agree that the artists should get credit. My designer and I put together a list, but a change in schedule prevented the publisher from putting it into the book. We'll be sure to get it into the next printing".

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I can contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

The Tattoosday Book Review - London Tattoos

 

Let's eliminate the suspense - London Tattoos is a lovely book, and one of the best tattoo titles I have seen in recent years. I recommend it highly and strongly encourage Tattoosday readers to check it out.

The book is beautifully photographed by Alex MacNaughton. The concept is simple: each subject stands in a full shot at the beginning of their section. There is a paragraph or two composed by the host, describing, in various degrees of detail, their tattoo journeys. A list of tattooist credits follow as footnotes, and then we are treated to several more (at the very least) more detailed shots of the body sections featuring the person's ink.

There is a fine distinction here, that between a close-up of a tattoo, and a close-up of the tapestry on which the tattoo is marked. Its a fine line of art that McNaughton executes brillianty. We catch glimpses of work, we see sections in great detail, but we are rarely confronted by an image that is a sterile full-frame of tattoo.

I just love the way that this photo narrative unfolds. Especially remarkable are the subjects who appear mostly, if not fully, covered. A turn of the page strips layers off of the individuals and we are treated to the artistic treasures that lie beneath. It dazzles the imagination, the unveiling of a person who appears uninked, only to reveal a breath-taking display of coverage that illuminates that this person spent hours upon hours under the needle.

It is brilliantly executed and I recommend it fully, all 304 pages with 700 color illustrations. Alex MacNaughton is also the author of London Street Art, London Street Art 2 and London Street Art Anthology. I encourage Tattoosday readers to buy London Tattoos - the holidays are just around the corner - and, at the very least, visit MacNaughton's website here to get a bigger taste of the work inside this wonderful book.

This entry is ©2011 Tattoosday. Photographs are ©2011 Alex MacNaughton.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

The Tattoosday Book Review - London Tattoos

 

Let's eliminate the suspense - London Tattoos is a lovely book, and one of the best tattoo titles I have seen in recent years. I recommend it highly and strongly encourage Tattoosday readers to check it out.

The book is beautifully photographed by Alex MacNaughton. The concept is simple: each subject stands in a full shot at the beginning of their section. There is a paragraph or two composed by the host, describing, in various degrees of detail, their tattoo journeys. A list of tattooist credits follow as footnotes, and then we are treated to several more (at the very least) more detailed shots of the body sections featuring the person's ink.

There is a fine distinction here, that between a close-up of a tattoo, and a close-up of the tapestry on which the tattoo is marked. Its a fine line of art that McNaughton executes brillianty. We catch glimpses of work, we see sections in great detail, but we are rarely confronted by an image that is a sterile full-frame of tattoo.

I just love the way that this photo narrative unfolds. Especially remarkable are the subjects who appear mostly, if not fully, covered. A turn of the page strips layers off of the individuals and we are treated to the artistic treasures that lie beneath. It dazzles the imagination, the unveiling of a person who appears uninked, only to reveal a breath-taking display of coverage that illuminates that this person spent hours upon hours under the needle.

It is brilliantly executed and I recommend it fully, all 304 pages with 700 color illustrations. Alex MacNaughton is also the author of London Street Art, London Street Art 2 and London Street Art Anthology. I encourage Tattoosday readers to buy London Tattoos - the holidays are just around the corner - and, at the very least, visit MacNaughton's website here to get a bigger taste of the work inside this wonderful book.

This entry is ©2011 Tattoosday. Photographs are ©2011 Alex MacNaughton.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

The Tattoosday Book Review - Tattoo Sketchbook: Since 1966

We like to review books occasionally here on Tattoosday and wanted to say a little bit about Jim Watson's Tattoo Sketchbook, published earlier this year by ArtKultre, an imprint of Wolfgang Publications.

There's nothing fancy here, just 95 pages of solid tattoo flash by Jim Watson, who came up in the tattoo business long before it was a "respectable" multi-billion dollar industry.

Having cut his teeth in the legendary Cliff Raven's shop in Chicago in the late 1960s, Watson moved to his first shop in Denver, eventually landing in Phoenix, Arizona, where he owns Artistic Skin Designs and where, in 1991, he co-founded Superior Tattoo Equipment.

If you picked this up in a bookstore, it might not be on the top of your list as the tattoo book to buy, as it has a limited appeal to the general reader. But it seems like it would be an invaluable reference to the developing artist who is studying the art of tattoo. The flash is all crisply classic in its execution, and would fit right in with any tattoo artist's reference library.

Wolfgang Publications has a whole series of books that fit this category geared more to the mechanical side of tattooing. This volume fits in nicely to that genre and is a excellent snapshot of the sketch portfolio of the "classic" tattoo artist.

This entry is ©2011 Tattoosday.


If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

The Tattoosday Book Review - Tattoo Sketchbook: Since 1966

We like to review books occasionally here on Tattoosday and wanted to say a little bit about Jim Watson's Tattoo Sketchbook, published earlier this year by ArtKultre, an imprint of Wolfgang Publications.

There's nothing fancy here, just 95 pages of solid tattoo flash by Jim Watson, who came up in the tattoo business long before it was a "respectable" multi-billion dollar industry.

Having cut his teeth in the legendary Cliff Raven's shop in Chicago in the late 1960s, Watson moved to his first shop in Denver, eventually landing in Phoenix, Arizona, where he owns Artistic Skin Designs and where, in 1991, he co-founded Superior Tattoo Equipment.

If you picked this up in a bookstore, it might not be on the top of your list as the tattoo book to buy, as it has a limited appeal to the general reader. But it seems like it would be an invaluable reference to the developing artist who is studying the art of tattoo. The flash is all crisply classic in its execution, and would fit right in with any tattoo artist's reference library.

Wolfgang Publications has a whole series of books that fit this category geared more to the mechanical side of tattooing. This volume fits in nicely to that genre and is a excellent snapshot of the sketch portfolio of the "classic" tattoo artist.

This entry is ©2011 Tattoosday.


If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

The Tattoosday Book Review: Ink Flamingos

Full disclosure: Ink Flamingos, by Karen E. Olson, features a tattoo blogger who is an instrumental figure in the narrative. I also have it on good authority that Tattoosday was, in part, inspiration for this plot point. And yes, Ms. Olson thanks me in the acknowledgements, much more profusely than I anticipated. All that being said, skeptics might argue that there was a snowball’s chance in hell that, here on Tattoosday, you’d see a negative review of this, the fourth installment in the Tattoo Shop Mystery series.

Fortunately for me, I have no moral dilemma, as Ink Flamingos is, like its predecessors, a great read. All bloggy plot points aside, I can whole-heartedly recommend not just the book, but all four volumes. They are consistently fun, humorous, exciting and, quite importantly, respectful to the tattoo industry and the good people therein.

Before I continue, however, I’ll point you to my previous reviews of  Driven to Ink, Pretty in Ink, and The Missing Ink for the whole suite of opinions on Ms. Olson’s tattoo-themed work. Click on the titles to be transported back in time to my reviews.

As flattering as it was to learn that I helped, in part, inspire the blogging aspect of this latest volume in the series, I took pause when I learned that the blogger was not a benign presence in the novel. Fortunately, Olson’s easy-going narrative style, transported me past my initial misgivings, and into the brisk current of the story. 

Despite the presence of the blogger, the real meat of the mystery derives from the dead rock singer, who appears to have been the victim of a an allergic reaction to some color ink, and a doppelganger/impersonator of our heroine, tattooist Brett Cavanaugh, that shines the spotlight on her as a suspect, at least in the eyes of some.

The whole cast of characters is back, as we watch Brett go very easily from being determined to not getting involved to rapid ascension into the thick of police matters. We get a little less Bitsy and Dr. Bixby, and a little more Joel this time around. But fans of Brett Cavanaugh's stormy love-him-or-hate-him relationship with her peer, Murder Ink's Jeff Coleman, will not be disappointed.

And, as always, the city of Las Vegas plays an important part, as well. With Brett Cavanaugh's shop being based in an upscale casino, the character of the city in the dessert is omnipresent.

Karen Olson continues to develop her characters and feature the art of tattooing at the forefront of her plot lines which, for me, is always entertaining. We've come far beyond the days of tattoos being nothing more than part of a murder suspect's characteristics, and tattoo artists being portrayed as suspects on the fringe of society.

If you are reading this and just learning about the series, head on back to book 1 and start from the beginning.

The series is fun and light, and treats tattooers and the tattoo industry with the respect and dignity it deserves. Remember, folks, these are murder mysteries, and their purpose is to entertain. Present volume included, Brett Cavanaugh has never bored me, and Olson knows how to spin a tale efficiently and with a sense of humor, as well.

Ink Flamingos is the latest journey into the world of Brett Cavanaugh, the best damn fictional tattoo artist I know. It's always a pleasure to join her as she unravels some mess, and I encourage Tattoosday readers to check out her shop in the pages of Karen E. Olson's books. It's a whole lot of fun and costs a lot less than getting a new tattoo.

The Tattoosday Book Review: Ink Flamingos

Full disclosure: Ink Flamingos, by Karen E. Olson, features a tattoo blogger who is an instrumental figure in the narrative. I also have it on good authority that Tattoosday was, in part, inspiration for this plot point. And yes, Ms. Olson thanks me in the acknowledgements, much more profusely than I anticipated. All that being said, skeptics might argue that there was a snowball’s chance in hell that, here on Tattoosday, you’d see a negative review of this, the fourth installment in the Tattoo Shop Mystery series.

Fortunately for me, I have no moral dilemma, as Ink Flamingos is, like its predecessors, a great read. All bloggy plot points aside, I can whole-heartedly recommend not just the book, but all four volumes. They are consistently fun, humorous, exciting and, quite importantly, respectful to the tattoo industry and the good people therein.

Before I continue, however, I’ll point you to my previous reviews of  Driven to Ink, Pretty in Ink, and The Missing Ink for the whole suite of opinions on Ms. Olson’s tattoo-themed work. Click on the titles to be transported back in time to my reviews.

As flattering as it was to learn that I helped, in part, inspire the blogging aspect of this latest volume in the series, I took pause when I learned that the blogger was not a benign presence in the novel. Fortunately, Olson’s easy-going narrative style, transported me past my initial misgivings, and into the brisk current of the story. 

Despite the presence of the blogger, the real meat of the mystery derives from the dead rock singer, who appears to have been the victim of a an allergic reaction to some color ink, and a doppelganger/impersonator of our heroine, tattooist Brett Cavanaugh, that shines the spotlight on her as a suspect, at least in the eyes of some.

The whole cast of characters is back, as we watch Brett go very easily from being determined to not getting involved to rapid ascension into the thick of police matters. We get a little less Bitsy and Dr. Bixby, and a little more Joel this time around. But fans of Brett Cavanaugh's stormy love-him-or-hate-him relationship with her peer, Murder Ink's Jeff Coleman, will not be disappointed.

And, as always, the city of Las Vegas plays an important part, as well. With Brett Cavanaugh's shop being based in an upscale casino, the character of the city in the dessert is omnipresent.

Karen Olson continues to develop her characters and feature the art of tattooing at the forefront of her plot lines which, for me, is always entertaining. We've come far beyond the days of tattoos being nothing more than part of a murder suspect's characteristics, and tattoo artists being portrayed as suspects on the fringe of society.

If you are reading this and just learning about the series, head on back to book 1 and start from the beginning.

The series is fun and light, and treats tattooers and the tattoo industry with the respect and dignity it deserves. Remember, folks, these are murder mysteries, and their purpose is to entertain. Present volume included, Brett Cavanaugh has never bored me, and Olson knows how to spin a tale efficiently and with a sense of humor, as well.

Ink Flamingos is the latest journey into the world of Brett Cavanaugh, the best damn fictional tattoo artist I know. It's always a pleasure to join her as she unravels some mess, and I encourage Tattoosday readers to check out her shop in the pages of Karen E. Olson's books. It's a whole lot of fun and costs a lot less than getting a new tattoo.

The Tattoosday Book Review: Tattooed by the Family Business

I’ll cut right to the chase: if you’re going to buy one tattoo book this spring, make sure it’s Tattooed by The Family Business, a feast for the eyes and a new standard by which all tattoo photography books should be judged.

Simply stated, this book is gorgeous, heavy on high-quality photography, focusing on the wonderful body art created by Mo Coppoletta and his crew of talented tattooists at The Family Business Tattoo Shop, a London-based establishment that has been producing breath-taking work since 2003.

If you're not familiar with Copoletta, or his studio, the book gives readers a peek inside the world of the Family Business. But aside from a one page foreword, and a couple pages of introduction, this lovely book is light on text, and heavy on images from photographers Fredi Marcarini and Chris Terry.

Image copyright: Fredi Marcarini and Chris Terry
Taken from Tattooed by the Family Business (Pavilion)

The two hundred plus pages are filled with lush images of life in the shop and, more importantly, the high quality work created by the artists. Divided up into five sections, titled "The Family," "The Business," "The Art," "The Work," and "The Patrons," this is not just about Coppoletta and his own work. The reader is also introduced to the whole family: Kanae, Mie Satou, Dominique Holmes, Diego Brandini, and Diego Azaldegui.

Some may draw comparisons to the books the American tattoo artist Kat Von D, which I have favorably reviewed in the past on this site. Tattooed by the Family Business is in a different league. It is as you would expect, Von D's books are busy and filled with words and images; whereas Coppoletta's book exudes a classiness to which other artists can only aspire.

In fact, an online review hardly does it justice. Photography dominates and, whereas the tattoo, or the process of tattooing is always at hand, the beauty of the book also lies in its images. Ultimately, I believe, it's what most serious artists want to see in a tattoo book. Although some may criticize that, in some of the photos, the details of the tattoos themselves are lost in the framing of the photograph, I would argue that these images are just as compelling as the close-ups, as one sees the way the tattoos are placed, and how they flow along the lines of the human form.

Image copyright: Fredi Marcarini and Chris Terry
Taken from Tattooed by the Family Business (Pavilion)

Image copyright: Fredi Marcarini and Chris Terry
Taken from Tattooed by the Family Business (Pavilion)

One of the neat features within this volume are several sketches on pages designed to resemble transparencies, where are laid over images of the tattoos themselves. The reader is treated to the full-page two-dimension image from which the artist drew his inspiration, and then can compare it to the end result.

Here on Tattoosday, where most of the tattoos we see are from New York-based artists, I have, in several years, only had the pleasure of encountering Coppoletta's work once, documented here. Therefore, getting to see a more expansive look at his work, as well as that of other artists in The Family Business, is a real pleasure.

Tattooed by the Family Business is a veritable feast. I keep returning to it, marveling at the craftsmanship and beauty of the tattoos. I highly recommend it to artists and aficionados alike. The book is a work of art in and of itself, and the fact that it so beautifully and simply celebrates the art makes it a must-read, a must-relish, and a must-have for every tattoo library.

The Tattoosday Book Review: Tattooed by the Family Business

I’ll cut right to the chase: if you’re going to buy one tattoo book this spring, make sure it’s Tattooed by The Family Business, a feast for the eyes and a new standard by which all tattoo photography books should be judged.

Simply stated, this book is gorgeous, heavy on high-quality photography, focusing on the wonderful body art created by Mo Coppoletta and his crew of talented tattooists at The Family Business Tattoo Shop, a London-based establishment that has been producing breath-taking work since 2003.

If you're not familiar with Copoletta, or his studio, the book gives readers a peek inside the world of the Family Business. But aside from a one page foreword, and a couple pages of introduction, this lovely book is light on text, and heavy on images from photographers Fredi Marcarini and Chris Terry.

Image copyright: Fredi Marcarini and Chris Terry
Taken from Tattooed by the Family Business (Pavilion)

The two hundred plus pages are filled with lush images of life in the shop and, more importantly, the high quality work created by the artists. Divided up into five sections, titled "The Family," "The Business," "The Art," "The Work," and "The Patrons," this is not just about Coppoletta and his own work. The reader is also introduced to the whole family: Kanae, Mie Satou, Dominique Holmes, Diego Brandini, and Diego Azaldegui.

Some may draw comparisons to the books the American tattoo artist Kat Von D, which I have favorably reviewed in the past on this site. Tattooed by the Family Business is in a different league. It is as you would expect, Von D's books are busy and filled with words and images; whereas Coppoletta's book exudes a classiness to which other artists can only aspire.

In fact, an online review hardly does it justice. Photography dominates and, whereas the tattoo, or the process of tattooing is always at hand, the beauty of the book also lies in its images. Ultimately, I believe, it's what most serious artists want to see in a tattoo book. Although some may criticize that, in some of the photos, the details of the tattoos themselves are lost in the framing of the photograph, I would argue that these images are just as compelling as the close-ups, as one sees the way the tattoos are placed, and how they flow along the lines of the human form.

Image copyright: Fredi Marcarini and Chris Terry
Taken from Tattooed by the Family Business (Pavilion)

Image copyright: Fredi Marcarini and Chris Terry
Taken from Tattooed by the Family Business (Pavilion)

One of the neat features within this volume are several sketches on pages designed to resemble transparencies, where are laid over images of the tattoos themselves. The reader is treated to the full-page two-dimension image from which the artist drew his inspiration, and then can compare it to the end result.

Here on Tattoosday, where most of the tattoos we see are from New York-based artists, I have, in several years, only had the pleasure of encountering Coppoletta's work once, documented here. Therefore, getting to see a more expansive look at his work, as well as that of other artists in The Family Business, is a real pleasure.

Tattooed by the Family Business is a veritable feast. I keep returning to it, marveling at the craftsmanship and beauty of the tattoos. I highly recommend it to artists and aficionados alike. The book is a work of art in and of itself, and the fact that it so beautifully and simply celebrates the art makes it a must-read, a must-relish, and a must-have for every tattoo library.